D’banj ‘King don Come’ is among top albums that should have done better in 2017. We believe these albums did not well enough because we expected so much more from the artists.
Pulse presents the top 5 musicians who could have done better.
Jesse Jagz – “Odysseus” album
Jesse Jagz promised us the album to end all albums. He has done it before, and so we all waited.
After multiple delays, two trips in and out of Chocolate City, and a fan base who were anticipating it, Jesse Jagz finally released “Odysseus”, and the result was poor.
Have you ever been in a position where you are listening to an album and you know that it is not flowing and the music is unsatisfactory, but you are clinging to it? With each song,
you’re pleading with it. You are willing it to get better.
“Odysseus” presents a conundrum. It’s not a project that provides enjoyment, neither does it do anything well enough to stand out.
The name Jesse Jagz is a synonym for quality in Hip hop, but at its best, “Odysseus” is average, and at its worst, it is forgettable.
Korede Bello – “Belloved” album
Here stands Korede Bello, our darling “Belloved” singer who found a way to halt a winning run with a project that misrepresents his growth since his signing by Don Jazzy.
From the artwork which went for woke, but came out with ‘what the hell?’, to the music begging for listener-ship, Korede Bello created a debut album that was lacking in vibe, character and melody.
Dynamism was lacking in Korede Bello “Belloved” album, and no song comes close to all the singles he earlier released.
D’banj – “King don Come” album
With D’banj, you never know what you can truly get. Much of the time, he drops music that pushes you over the edge of enjoyment.
Other times, D’banj simply provides material that fails to offer anything other than just sound.
D’banj “King Don Come” album attempted to be good. It even contained some songs that are passable.
But ultimately, the album carried a lack of quality that is unbefitting of a King.
“King Don Come” album doesn’t cement D’banj’s place in history, neither does it in any way provide entertainment for fans.
Vector – “Lafiaji” album
With Vector, everything requires an intellectual leap. He sells intelligence, weaves complex thought into his music, and pushes it with so much swag.
The story for “Lafiaji” album was simple but nostalgic…for him. Vector was taking the music back to his childhood in Lagos Island, where he grew up and chased the start of his career.
It was at this place that music came to him, and returning there for a project was a dream come through.
But Vector – “Lafiaji” album was not good. Too much fluff, a lengthy tracklist, a failed launch, and the inclusion of records with no punches, narrowed the chances of this album performing well.
The music here felt like it didn’t want to be alive, and that energy brought down its chances.
Skales – “The Never Say Never Guy” album
Skales took an impossible situation in 2015 and turned it into winning streak.
From losing his deal with EME and being in the cold, the young man has worked his way back into the radar and thrived off his music.
Skales has full label backing from Baseline Music,
he takes home great pay from shows, performances and endorsements.
Despite the incessant backlash and cyber-bullying, Skales keeps his art going, and right now, he is celebrating his second album.
And while everyone in the industry are happy for him to win, Skales “The Never Say Never Guy” album isn’t a win. It’s an uphill struggle.
Although the story behind Skales “The Never Say Never Guy” album is inspirational, the music on it doesn’t back it up.
Skales displays an innate refusal to grow. Weak production, poor songwriting and bad A&R dogs this project with each track you play.
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